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March 31, 2010

Weddings: Chris & Kim in Nassau

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It was Chris and Kim's wedding that Tammi and I were heading to during the snowstorm last month. Chris and I have known each other for just about 15 years. It was a pleasure to see him so happy that day.

Due to some technical difficulties, I was shooting all film, which limited me somewhat, but I think left an interesting, vintage look.

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The ceremony was at a local resort in Nassau at the end of a long pier. The scene was gorgeous. I hope my photos managed to capture even a fraction of that.

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More photos after the jump...

Continue reading "Weddings: Chris & Kim in Nassau" »

March 27, 2010

Cruising: Big Ass Boats

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So, yeah. These ships are big. Sorry, these posts can't all be deep pearls of wisdom.

March 1, 2010

Analog: Appreciating Digital

You'll notice that there's no photo here. That's because I've been all analog for the last week and a half.

In all my recent experimentation over the last couple months, I've enjoyed the process of shooting film and the excitement of seeing the results. I did my best not to overly glorify film, but I certainly have been finding film more interesting. Not enough to replace digital, but I've definitely been talking up film a lot more.

I'll take it as a rebuke from fate or the photography gods that my digital camera crapped out on me a week ago exactly when I needed it for quite a few things including a photography class, a couple events I was covering for Examiner and of course the wedding and cruise this past weekend.

So, yes, I miss digital. Let me count the ways:

• Changing rolls of film in the middle of shooting an event sucks. No ones going to stop walking down the aisle or hold that pose long enough for you to swap rolls.

• Along the same lines, being able to take 1,000+ exposures on a chip allows you to catch more moments just through sheer volume. Everyone wants to think they're going to catch the Decisive Moment through skill, but sometimes skill still needs 30 attempts to get it right.

• Trial and Error. Seriously. You have no idea how scared I am that some setting was off and half the photos I took are screwy because I couldn't glance at the LCD to see that I shouldn't have used that aperture or didn't see that someone was totally backlit.

Finally, there's developing cost in both time and money. Between the snowstorm and the travel, I now have nearly two dozen rolls of film to develop. That's going to cost a lot and I won't get them for a couple days.


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