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August 12, 2011

Self-Promotion: My SLR Food Photography Guide on Foodspotting

Foodspotting Guide

I'm using my transit time to finally catch up on various posts and self-promotion that I have been too tied up to keep up to date on the blog. First up is this guide I put together last month for Foodspotting.

It's all about SLR food photography and offers a number of tips and tricks for capturing interesting images of food in restaurants.

The guide is an overview, but I do plan to follow it up here with a few more in-depth posts. First up, will be about white balance - it's one of those things that seems to throw everyone off. If you've got any particular photography questions you'd like me to cover, let me know in the comments or write me on twitter @ultraclay.

January 22, 2011

Analog: Party Polaroids at Brooklyn Bowl

_MG_3597 - Version 2

Yesterday afternoon, I got a last minute request to shoot Roots DJ Ahmir "Questlove" Thompson's 40th Birthday party at Brooklyn Bowl. Even now, I'm desperately trying to play it cool as though this is the sort of thing that happens to me all the time, but I admit that I was pretty ecstatic at the opportunity. As a long time fan of The Roots in general, Questlove in particular and Brooklyn Bowl as a venue, I have to say the whole experience was gratifying.

Photographically, the most interesting part of the night was that the request specified that they wanted Polaroids (or at least "Polaroids," most instant film cameras are Fujis). I used a Fuji Instax 270,I believe. It was the 'wide' version, which shoots the traditional size prints as opposed to the more common 'mini' models that print narrow, business card-sized photos.

I've never played with Polaroids in the past and, though generally understanding the appeal of instant analog prints, always worried that it would just lead to obsession and a million individual prints would accumulate, unscanned because I hate scanning and thus not particularly useful in the digital world. All of that is pretty accurate and I'm resisting the urge to blow my payment for the gig on one of these cameras for myself and a ton of film.

Shooting with it was interesting. The learning curve was fairly shallow, it is made to be very simple to use after all. My biggest problem is that the film packs only hold 10 exposures at a time. Shooting an event and having to stop every 10 shots can be cumbersome. The other issue is that the prints take longer to 'develop' that I ever expected. It takes nearly 5 minutes for an image to completely materialize. That can be a lot of time to lose the spontaneity of a moment. Even so, the photos I saw - I turned in the whole batch at the end of the night - were inspiring. I might have to risk obsession and add another toy to my collection one of these days.

November 10, 2010

Analog: Shooting with the Kiev 88

__5_0686

In my exploration in shooting analog, medium format has fascinated me. That's most likely because it's sort of arcane and the frames are big and square. Unfortunately, I've had a pretty unfortunate track record shooting 120mm film - thus far at least. That's finally starting to change thanks to the the Kiev 88.

Read more about the Kiev after the jump and see photos I've taken with it on Analog UltraClay all week.

Continue reading "Analog: Shooting with the Kiev 88" »


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